A fitting end to the character of Wolverine, at least until his inevitable introduction into the MCU.
Better Watch Out
Surprisingly clever film which will make good viewing for those who seek something other than saccharine holiday fare.
Proof that horror remakes are not always unnecessary, and has a lot of fun with its monster.
Thrilling and suspenseful with a surprising and satisfying twist, but worth watching just for McAvoy.
While not the best superhero or Marvel-related release this year, this was still enjoyable and had a great performance from Michael Keaton.
The Lego Batman Movie
A tonne of fun and a barrel of laughs, it’s strange that a Lego movie is a better 2017 Batman movie than a live-action Justice League.
A Monster Calls
Not only has some interesting visuals but a heartfelt story as well.
Gal Gadot was one of the best parts of Batman v Superman and shines even more in the best DCEU film yet (or ever, it might seem).
Hilarious, exciting and makes good use of music.
Guardians of the Galaxy Vol 2
Speaking of a film that makes good use of music, this is a film you could watch again and again, filled with great comedy, action and even emotion.
Spoilers may follow
It’s been said many times that there are too many remakes of films that were good the way they were, and that the movies that should be remade are the ones that didn’t live up to their potential as well as they should have. With this in mind, Stephen King’s It is a story that could have used another adaptation. The 1990 version did have a great performance from Tim Curry, but it did feel lacking, especially as an adaptation.
2017’s It isn’t a completely faithful translation of Stephen King’s text; the childhoods of the “Loser’s Club”, the group of friends that battle the evil Pennywise (here played by Bill Skarsgard) now takes place in 1989, the book had Pennywise taunt the children from a photo book where in this movie he emerges from a slide projection, etc. There are, however, scenes from the book that didn’t make it the first time around, such as Pennywise’s leper form and the haunted house he lurks in, both of these brought to the screen with macabre energy.
Skarsgard is a worthy successor for Tim Curry, though he plays a rather different Pennywise. Curry’s Pennywise was very enjoyable to watch, but Skarsgard successfully makes the character a lot more sinister and sadistic. Like the 1990 version, Pennywise appears in a sewer grate to tempt little Georgie to come down with him, but the 2017 rendition gives the scene a little more time to be effective and Skarsgard’s Pennywise is better at feigning a cheerful clown than Curry’s. I could have done without Pennywise first appearing as a pair of Trap Door-esque disembodied eyes, and actually seeing him bite off Georgie’s arm.
Most of Pennywise’s illusions in this movie are interesting and eerie, like when he dances around like a puppet, but sometimes his horror does come off as a bit too obvious. There’s a Dead Silence type room full of clown dolls – one of them has a head turn around by itself – and the tried-and-true disembodied voice singing a nursery rhyme (not as effective as when the 1990 version had as Pennywise’s theme a circus tune that would sound innocent and fun in another context).
Where this film really excels is when it shows us that sometimes humans can be the real monsters. Henry Bowers the bully and the abusive father of Loser’s Club’s sole female member Beverly are both truly despicable characters and contribute to some of the film’s most chilling scenes.
Most remakes feel unnecessary, but 2017’s It is a fine addition to the wide world of Stephen King adaptations, and makes one want to see a sequel.