Dunkirk Review

Chris Nolan is a director that knows how to take advantage of the medium of film. From the brilliantly non-linear storytelling of Memento to the wonderfully bizarre sets of Inception, Nolan knows how to emphasize the elements and emotions of his stories through visuals and audio. In The Dark Knight, for example, the Joker’s vicious nature was reflected in his makeup and Hans Zimmer’s discordant theme music.

Nolan’s mastery of the film medium is certainly reflected in his latest, Dunkirk, a film portraying the Dunkirk evacuation during World War II. Now, I can’t really say this film gets into the characters’ heads as much as Nolan’s previous films have, but Dunkirk is more about the event itself than the people involved in it, but does expertly portray what the people involved must have been thinking, how they were feeling. Fear, paranoia and hope are all on display here, and shown exquisitely.

Again Hans Zimmer’s score perfectly reflects the action on screen, though here, the most successful scenes have little music at all; the best score is the ticking of a clock, as if we are listening to the very fear that time may be running out itself. Very little dialogue is used here, which only adds to the tense atmosphere of the piece. It’s a film that truly immerses the viewer in its world, so it’s a film worth seeing in Imax.

I wouldn’t go as far as say Dunkirk is Nolan’s best film, but it is a fantastic showcase of how he uses the qualities of film to their fullest.

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Author: jabberw

A writer of short stories and reviews, who likes to dabble in other creative media as well.

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