Baby Driver Review

Using popular songs in films can be effective in helping to set the scene and reflect the characters’ personalities, but it’s a trope that’s easy to mess up. Done wrong, it can feel like a substitute for creativity and even turn the film into a glorified big-screen music video (see Sucker Punch for an example). An example of this done right can be found in recent release Baby Driver, which writer/director Edgar Wright even described as being “kind of like a musical”.

The titular driver, Baby (Ansel Elgort) was involved in a car accident as a child, which causes a permanent ring throughout his ears. In order to drown out this ringing, he always makes sure to listen to music as he acts as getaway driver for a group of criminals. When he’s listening to a song, the audience listen to it as well; the song gets fainter when he takes one earplug off and stops when both earplugs are removed.

He even listens to the music during the more intense moments of the movie, and the action on screen matches up with the beats of the songs, creating some unique and enjoyable setpieces. This is definitely a film where the music enhances the experience, and even lets us know a bit about our Baby too, as the opening credits see him dancing down the streets mouthing to a song.

There’s plenty of impressive action, including a scene rather reminiscent of this year’s Free Fire, but this is an Edgar Wright film, so there’s plenty of comedy as well. Highlights include a scene where the criminals wear Michael Myers masks, and a quote from, of all things, Monsters Inc.

Baby Driver is a fun and fast-paced films, one that knows how to grab your attention and immerse you in its world. And it’s got good music too.

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Author: jabberw

A writer of short stories and reviews, who likes to dabble in other creative media as well.

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