Johnny Depp returns as Captain Jack Sparrow in Pirates of the Caribbean: Salazar’s Revenge, aiding young Henry Turner (Brenton Thwaites) in finding the legendary Trident of Poseidon, which can break any curse that haunts the seven seas, including a curse put on Will Turner (Orlando Bloom) Henry’s father and Jack’s old acquaintance. Accompanied by astronomer Carina Smyth (Kaya Scodelario), Jack and Henry search for the trident while being hunted by the undead Armando Salazar (Javier Bardem), who has a bone to pick with Jack.
As with earlier instalments of the franchise, the best element of Salazar’s Revenge is Captain Jack Sparrow, who gets the best lines and scenes (though sometimes it may remind one of his Mad Hatter). A highlight is his introduction in the film: the safe of a new bank is being opened, and whereas most other pirate movies would have had the safe to be revealed to be completely empty, out of it comes a drunken Jack Sparrow, and there’s even a woman there with him. He’s robbing the bank, and he and his crew literally rob the bank itself by pulling it off its foundations and sending it through the town.
That’s one moment in the movie where going all-out with it works. There are other times, however, where there just seems to be spectacle for spectacle’s sake. Salazar’s ship is indeed a ghost ship, but I don’t think it really needed to be turned into a wooden centipede (something that reminded me of the robot from Wild Wild West) nor did the figurehead need to come to life. This film is supposed to be a blockbuster action film with big setpieces, but those felt unnecessary.
It certainly doesn’t help that Salazar is not that notable an antagonist – not as good a villain as Bardem’s Skyfall character – nor is Henry that interesting, so the film is more or less carried by Sparrow. There is still some fun to be had here, and it does make two hours fly by, but viewers are unlikely to remember it.